FOR IMMEDIATE RELEASE
January 8, 2016 Lisa Ludwig 716-856-4533
Shakespeare in Delaware Park, Inc. Announces 2016 Season Auditions
Auditions for Shakespeare in Delaware Park’s 41st season will be held on
February 13, 14 and 15
OPEN CALL AUDITIONS ARE BY APPOINTMENT ONLY. Everyone interested in being considered for the 2016 season must make an audition appointment. To arrange an appointment, please call (716) 856-4533, ON or AFTER February 2nd (NO audition appointments will be accepted before February 2nd).
2016 summer productions include:
THE WINTERS TALE –June 23rd through July 17th –Directed by Saul Elkin
Actors should prepare one memorized, Shakespearean monologue, not to exceed 2 minutes. If you have played a “principal role” for Shakespeare in Delaware Park in the past you do not need to prepare a monologue, you may call to see if you are needed for a call back audition appointment. All Actors are requested to bring a resume/career bio and a head shot to the audition. Please note the roles of ALL other roles are open
By Mary Kunz Goldman
- Updated 12:07 AM , August 6, 2015
Every summer, something magical takes place on Shakespeare Hill, in Delaware Park behind the Rose Garden:
Picnicking becomes a spectator sport.
Normally, picnics in Delaware Park are regrettably rare. Too often, the picnic tables scattered hither and yon hold only water bottles and tennis rackets. But with Shakespeare in Delaware Park, a new spirit descends. Proudly, Buffalonians spread blankets and unpack grapes, bread, cheese and chocolate.
“If music be the food of love, play on,
Give me excess of it …”
Saturday night, well before “Twelfth Night” opened with those famous lines, there was already a lot of excess.
One gathering featured a gluten-free birthday cake dubbed “Q’ake.” It was made from watermelon, with grapes stuck into it with toothpicks.
“You missed the pretty part. It had pineapples on top,” said Kerturah Stevens, displaying the Q’ake with pride.
Homemade hummus and homegrown tomatoes rounded out that feast. On hand to wash it down was a bottle of mead, a honey drink popular in Shakespeare’s day. The mead was made by a New York State winery, Magpie Farms.
Be not afraid of greatness, to quote another line from “Twelfth Night.” A stylish urban group of friends reclined alongside strawberries, blackberries and grapes from Guercio and Sons. A round loaf from Bread Hive added a Renaissance touch. Three bottles of wine lay side by side. Candies were strewn artfully about.
Lou Feliciano said the spread had come together naturally.
“Everyone brought their own stuff,” he said. “And we just put the blanket down.”
Love was in the details. Davina and Aleks Porock sipped wine from glasses etched with snowflakes. Twelfth Night refers to the twelfth day of Christmas.
Claudia Villaman joked that her friend Rebecca Bremiller was “Martha Stewart’s little cousin.” Bremiller had arranged their food skillfully in trays. She had purchased plums that morning at the Clinton-Bailey Market. And she had not only brought grapes – a must, it seems, for a picnic in the park – but she had frozen them, and used them to chill the white wine.
Two hours before show time, thunder had rumbled. Fearing rain, the two friends had vowed that their picnic would go on. “We were auditioning porches,” Villaman laughed.
The play’s not the thing. The picnic is. Saul Elkin, the founder of Shakespeare in Delaware Park, smiled as he surveyed the feasting from the top of the hill.
“Someone once said to me, ‘This is a community picnic where a play happens to go on,’ ” he laughed.
“Twelfth Night” is on stage at 7:30 p.m. every night but Monday through Aug. 16. But even when it closes, let the food of love play on.
It is in the soul of every Western New Yorker to picnic in Delaware Park. Be bold and dine at that table on Ring Road across from the workout area. Or seek out a shady knoll by Hoyt Lake. Bring grapes. Invite a friend who plays guitar.
Be not afraid of greatness.
email: firstname.lastname@example.org, http://buffalo.com/2015/08/06/news/theater/100-things-picnic-in-delaware-park-2/
BUFFALO, N.Y. (WKBW) – As Shakespeare in Delaware Park celebrates its 40th anniversary this year, they thought they might try something “new.”
The second production of the season Twelfth Night features an all-male cast, just the way it was done in Shakespeare’s day.
They have never tried this before in the 40 year history of the company. Actor Tim Newell who plays Olivia, a lead female role, says the actors are not men doing caricatures of women, “We are speaking the words as women would speak them and we feel the words as women speak them.”
There is some confusion when the ingenue Viola, played by Jordan Louis Fischer, a man dressed as a woman, masquerades as a man, but director Steve Vaughan says Shakespeare planned it that way. Vaughan also insists that all this gender bending was not done as a gimmick, but to present the play in its purest – the way it was originally performed.
Twelfth Night runs through August 16. You can find more information at their website.
A Twelfth Night for Today’s Gender Bending Times
- Twelfth Night
- by William Shakespeare
- Shakespeare in Delaware Park
- July 23-August 16, 2015
- Twelfth Night
- by William Shakespeare
Shakespeare in Delaware Park’s choice to mount an all-male production of Twelfth Night is billed as an homage to tradition for the company’s 40th anniversary season in Buffalo, NY. This gender-bending play, however, is perfect for today, what with recent historic events and ongoing discussions of gay and trans rights. Whatever the backdrop, though, this production directed by Steve Vaughn is a delight.
Between the laughs over the antics of the many fools and the awkwardness that arises when a male actor plays a woman masquerading as a man who falls in love with another man, the audience ends up doing a lot of thinking. That’s especially so when two male actors lock lips for lingering kisses, as they do again and again.
The men playing female roles play them straight – that is, they don’t do over-the-top drag, but act earnestly as women (kudos to wig designer Mary McMahon Jakiel, whose realistic work made the actors’ jobs a little easier). Only occasionally does SDP favorite Tim Newell wink at the audience, as he plays the Countess Olivia, emerging from familial grief to become a love-sick kitten trying to snag her claws on Viola/Cesario. When Newell picks up his skirts to run off stage, it’s with perfect Elizabethan feminine delicacy. His sigh of delight and lust when he first sees the “man” he’s been chasing and the man he’s married are two people is hilarious. Likewise, Adam Yellen’s Maria (servant to Olivia) is perfectly wench-like. He’s saucy and able to suffer and rise above the fools in the play without losing feminine sensibilities.
And then we have Viola, the female half of a co-ed pair of twins who makes her way in a strange land by dressing as a young man. Upon first sight, actor Jordan Louis Fischer is a credible woman with flowing blond hair. As Viola pretending to be Cesario, though, it’s as if the character becomes an overtly gay man, losing the some of the complex layers of gender identity. Cesario’s job is to woo Olivia on behalf of his master Orsino (Chris Hatch), which is quite complicated since Olivia falls for the messenger and Viola/Cesario has fallen completely for Orsino. Fischer is best in the cat-and-mouse game with Newell, always delicately trying to plead his master’s case while eluding the subject of his master’s ardor. When his Viola/Cesario is tense, she clamps her knees together, then remembers to spread them apart in a more manly way of sitting.
It would be good to see Orsino suffer more for his love and squirm more when he realizes he’s growing overly attached to his male servant. But this is a minor flaw in a very enjoyable production.
All the love intrigue becomes something of a subplot when the clowns are sent in. They’re all too good to name a standout. The sheer number of fools in Twelfth Night makes it hard to tell them apart in some productions. Not so here, as the actors’ abilities, their varied physiques and costuming signatures all make each distinct. Take Malvolio (Gregory Gjurich), Olivia’s steward, who is dressed with Puritan severity that underscores his self-rightious behavior. There’s a wonderful scene when he’s reading the ersatz letter Maria has written him as Olivia suggesting he woo his employer. When Malvolio reads the instruction to smile more, Gjurich declares, “I will smile! I will do everything that thou wilt have me,” with an intense grimace that passes for a smile.
Meanwhile, Sir Toby Belch (a spot-on performance by the experienced Norman Sham), Sir Andrew Aguecheek (played with great dimness and sympathy by David Lundy) and Fabian (Justin Dimieri) bring to mind the Three Stooges as they creep behind him to eavesdrop, only partly hidden by movable trees. When Malvolio starts to imagine how he’ll curtail Toby’s drunken exploits once he weds Toby’s niece, it takes all of Lundy’s and Dimieri’s apparent strength to rein in the charging bear that Toby becomes for a moment. The scene builds to a dynamic and very funny crescendo, carrying the audience into intermission with a chuckle. The portly Sham portrays Toby as a Falstaff with more gas, jollity, and cleverness. Luncy’s Aguecheek, in a copious wig, blue patterned coat and foreshadowing yellow cross-gardered stockings, is wonderfully overdressed for the party he always seems to be having in his head as a result of drinking too much.
Stephen Wisker’s Feste is a bit of a surprise, on account of his leading-man looks and height. He’s a musical fool on top of being a wise and witty one. In fact, the ensemble’s all-male chorus is quite a treat, sometimes acapella, sometimes accompanied just by Feste’s guitar and other times by cello (Jay Wollin) and violin (Lucas DeNies.) Sound designer and composer Tom Makar comes through again with sprightly music that keeps the scene changes moving.
Costume designer Ken Shaw and his crew have done a remarkable job of fitting the attire to the characters so well that the audience sometimes loses sight of the costumes. On the other hand, through identical golden outfits and blond wigs, as well as casting that selected two actors with similar builds, there’s a moment when Sebastian (PJ Tighe) appears for the second time and it takes a few moments to realize this is Sebastian and not his twin. Well done.
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