Shakespeare in Delaware Park Announces 2015 Shakespearience Interviews

Interviews for SHAKESPEARIENCE, (Shakespeare in Delaware Park’s high school apprentice program) are scheduled to be held on: April 25th from 11-2pm

CALL 856-4533 by April 17th for an appointment

Session I : ROMEO and JULIET will run from: June 13 to July 12

Session II : TWELFTH NIGHT will run from: July 18 to August 16

This season’s productions are:
ROMEO AND JULIET directed by Tom Loughlin- June 18– July 12
12th NIGHT (all male cast) directed by Steve Vaughan- July 24 – August 17

SHAKESPEARIENCE is open to area high school students; this program is designed to provide in-depth theatrical experience with theatre professionals. Each session runs for five weeks, beginning the week prior to regularly scheduled SDP performances. In addition to attending theatre classes (Tuesday-Friday 1:30-4:30) students will gain hands-on experience in an SDP professional production as part of the technical crew and will perform on the main stage (the final Friday of the session) in a student performance, preshow to the SDP season production. Applicants will be required to participate in an enrollment interview and prepare a short Shakespeare Monologue/ Sonnet.

Tuition is $400 per five-week session. Scholarships are available.


For an appointment or further information call 856-4533.

Mike Randall takes on Shakespeare

Mike Randall stars in “A Comedy of Errors” as part of Shakespeare in Delaware Park. Christopher Scinta

Mike Randall takes on Shakespeare

Randall plays Angelo in Shakespeare’s ‘A Comedy of Errors’

BY: Kristy Kibler

  Published: August 13, 2014, 06:00 AM

Updated: August 12, 2014, 04:51 PM

Western New Yorkers have seen Mike Randall on their TV screens for decades as Channel 7’s longtime meteorologist. They may also recognize him as Mark Twain or Charles Dickens, both characters he’s brought to life on stage in one-man shows for years. But this summer, Randall is trying something new: playing Angelo, a necklace-hawking, payment-seeking goldsmith in debt with the Mafia, in Shakespeare in Delaware Park’s “A Comedy of Errors.”

“It’s probably the biggest production I’ve ever been a part of,” Randall said. “This is just unbelievable in the level of performers in it. We’ve got everything from Equity (union) actors all the way down to apprentices that are in high school. It’s just a really neat experience.”

Randall said working with a large cast – more than 20 people – was initially a strange experience after decades of performing solo roles.

“It was kind of weird. I’m used to just counting on myself – when you’re on stage alone, you’re not really taking cues from anyone else, but you have to take cues from yourself,” he said. “But I think there’s a lot more discipline involved when you’re working with a number of people, and there’s only so much that you can do with your part. You have to listen intently, even after it becomes second nature and you become really comfortable in your part and in the show, you still really have to focus.”

Randall is currently working a reduced, 32 hours-a-week schedule for Channel 7. He called Shakespeare in Delaware Park’s Managing Director, Lisa Ludwig, for information about Theater Alliance of Buffalo auditions, and she suggested trying out for “Comedy of Errors.” His audition is where he first got a taste of the nontraditional style director Steve Vaughan was planning for the show.

“I auditioned with an English accent, and they looked at me like ‘what the heck is he doing?’ ” Randall recalled with a laugh. “They said, ‘We’re not doing, like, literary … can you do a New York accent?’ ”

Randall said he “couldn’t make hide nor hair” of the comedy when he first read it, but that like many of Shakespeare’s works, seeing it performed makes it much more accessible.

“That, I think is the key with Shakespeare in general,” he said. “I think that’s what really brings these things to life: when people infuse it with real-life emotion, vocal cadence, rhythm.”

He also said the show gains appeal for both young and old from Vaughan’s unique take on it, which includes vividly colored costumes, plenty of musical accents and a “steampunk” theme, along with a lack of distinct time period.

“It really appeals to people … who say ‘Eh, I’ve never really gone, I’m not into Shakespeare.’ You’re not into Shakespeare because you’ve probably never seen it performed by people who really do it well,” Randall said. “It’s a very entertaining show … There is a lot of music, a lot of sight gags, a lot of running around – the hill, it’s almost like a party every night. People are really into it – lots of laughs, lots of applause.”

Shakespeare in Delaware Park continues with free performances at 7:30 p.m. through Aug. 18 at Shakespeare Hill in Delaware Park, ” next to Hoyt Lake off Lincoln Parkway.

Kristy Kibler

Shakespearience Production, August 15


Contact: Lisa Ludwig 856-4533

August 11, 2014


                        Shakespeare in Delaware Park Announces:

                            Shakesperience Production August 15th


SHAKESPEARIENCE, (Shakespeare in Delaware Park’s high school apprenticeship program) will be holding their annual student performance on Friday August 15th at 6:30pm, prior to Shakespeare in Delaware Park’s main stage production of The COMEDY OF ERRORS.


Witness as the Shakesperience students take on 7 of Shakespeare’s beloved characters and match wit for wiles, lose dogs in cat fights and blend reality with delusion in a knock down, drag out Shakespearian Mash-Up where nothing is as it seems.


The Shakesperience Program is open to area high school students and is designed to provide in-depth theatrical experience with theatre professionals.  Each session runs for five weeks, beginning the week prior to regularly scheduled professional Shakespeare in Delaware Park performances. In addition to attending classes, students gain hands-on experience in a professional production as ensemble members and part of SDP technical crew.


All performances are free of charge.


Shakespeare in Delaware Park performances are held every evening (except Mondays) at 7:30 p.m. Shows take place on Shakespeare Hill in Delaware Park, next to Hoyt Lake behind the Rose Garden, off Lincoln Parkway near the Albright-Knox Art Gallery. Further information may be obtained at or by calling (716) 856-4533.

Beneath summer sky, reveling in Bard’s timelessness

Armed with lawn chairs, blankets, bug spray and – in some instances – feasts fit for a Shakespearian king, more than 40,000 people gather on a hill near Hoyt Lake each summer.

It’s not called Shakespeare Hill for nothing.

Shakespeare in Delaware Park is one of the oldest and largest free Shakespeare festivals in the country. The Buffalo News’ Brian Meyer met with founder Saul Elkin to talk about the popular summer ritual, which continues through Aug. 17 with a unique production of “The Comedy of Errors” that is staged with modern elements borrowed from several “alternative worlds.”

Here is a summary of some of the topics covered in an interview that is part of the “In Focus” series. Watch the full 6-minute interview at

Brian Meyer: How has this festival changed since its debut in 1976?

Saul Elkin: We were a very tiny, little festival in 1976, with a stage that is about a third the size of the stage that you can see behind me. Three standing microphones in front of the stage, where as now, all of our actors are equipped with body mics. …

Meyer: Your longevity is very impressive. You’re the second-oldest free Shakespeare festival in the country. You’re one of the largest. Has that length and stature made it easier to navigate what many have called the annual hustle for money?

Elkin: It’s helped a little bit. I think we’ve become something that this community expects to see every summer. Because they expect to see it, they’re helpful and they’re generous. And the generosity extends year-round. … The hustle as you say goes on constantly. Local businesses, banks – M&T Bank especially – have been very, very generous to us. It helps, I think. The older we get, the more established we are in the community, it becomes a part of people’s giving. …

Meyer: But let’s be candid. There are a lot of people who hear the word Shakespeare and think “boring.” How do you deal with that?

Elkin: Shakespeare is meant to be performed as well as read. What happens in the schools is that it’s read, and it’s read slowly. And that’s tough on a ninth- and 10th-grader. We have lots of young people out here to the park who stick with it and love it and come back. We have developed Shakespeare fans. What happens is that when it’s live, it’s very real. The emotions are real. One of the reasons why Shakespeare has survived for 450 years is that he’s dealing with human interaction that we recognize – love and hate and anxiety and all of those feelings that we recognize. And when we see them on the stage, the difficulty of the language sort of is to one side, I think.

Meyer: And you take these emotions, these common emotions, and you try to make them almost mirrors of the times in many of your productions. You do some creative reimaginings. You take them into different eras with costumes and music. Do you have any favorite re-creations?

Elkin: We’ve done a variety of those, and the point is not so much to rewrite Shakespeare, but to create a moment of relevance – a moment of immediacy. This is not to say that Shakespeare done in a traditional style is not also immediate and relevant. We did a space age “Tempest” years ago, which I liked. Early on in the festival, we did a very rock ’n’ roll “Hamlet,” which was a favorite of mine. … I think those are a way of bringing Shakespeare into the 21st century.

Meyer: Let’s do reimagining here. What do you think the Bard would say if he suddenly materialized here on the hill at Delaware Park and saw one of these productions?

Elkin: When these plays were written, they were very forward-thinking. We live in an age now of electronic devices. I think Shakespeare would have been using one. They might have appeared in his plays. I think he would have liked what we do here.

Buffalo Newson July 28, 2014 – 6:00 PM

It’s a rollicking ‘Comedy of Errors’ at Shakespeare in Delaware Park

Nathan Winkelstein and Norman Sham star in Shakespeare in Delaware Park's production of

Nathan Winkelstein and Norman Sham star in Shakespeare in Delaware Park’s production of “The Comedy of Errors.” 

on July 25, 2014 – 1:45 PM

Déjà vu.

Well, almost. A dozen years ago, Steve Vaughan directed a production of William Shakespeare’s 420-year-old bit of foolishness – one of his first plays and by many accounts, his shortest – “The Comedy of Errors,” for Shakespeare in Delaware Park.

If memory serves, Vaughan’s work that summer was faithful to fun and loyal to text with just the right amount of tweaks on an aged script to keep it from a Hoyt Lake tanking.

“The Comedy of Errors” has returned, again directed by Vaughan in colorful, speedy fashion. A little more music has been added this time around, an assortment of melodies by composer Randy Andropolis played by keyboards, strings, some brass and kazoo accompanists, with reminders of Keystone Cops chases, some vaudeville and bits of Abbott and Costello. In other words, Bardolatry is spruced up, sillied even more. No harm done in this second and last play of SDP’s annual “season,” its 39th.

The story needs much explaining. Very often, “Comedy” audiences and possibly the casts don’t know who’s who or what’s what until the resolve – and that takes its time getting there. Know this much: Two sets of twins – the masters both named Antipholus and their servants, both named Dromio – are separated by shipwreck off the Greek coast. Parents were cast adrift, too, washing ashore in different countries. So, one Antipholus and Dromio combo grows up in a seaport town of Ephesus, the other in rival Syracuse.

After some time, years, of search by the father of the lads takes him to Ephesus where, wouldn’t you know it, his Syracuse son is looking for his long-lost brother. You can imagine the havoc caused among the Duke, city folk, the merchants (there’s a confusing flap about a gold necklace that’s given to the wrong Antipholus) and particularly confounds a wife, Adriana, who wonders about the behavior of her husband – again the wrong twin. And the Dromios? Don’t ask. Instructions go awry, messages get mixed up. The families are finally reunited after a great deal of sorting out. Break out the kazoos.

Legendary actor Orson Welles once wrote that Shakespeare’s plays covered every mood of a man’s season. He wrote about starlight, fireflies, the sun, the moon, Welles said, and he wrote with “tears, blood and beer.” “The Comedy of Errors” perhaps doesn’t have all that to recommend it, but it is full of fun and frolic designed in 1594 to take Elizabethan minds off a rampaging plague. Well, luckily we don’t have that but we can use a laugh or some giggles and Vaughan has populated this latest incarnation of “Comedy” with plenty of both. It’s just lightweight, no-think, rollicking Shakespeare.

The cast is large and multitalented, led by the visiting Steve Braddock, veteran performers Greg Gjurich, Lisa Ludwig and the fiery Kay Kerimian and, of course, the “twins:” Adriano Gatto and Nathan Winkelstein, as the Antipholous brothers; and Norm Sham and Nick Lama as the portly Dromio boys. Sham has wonderful moments with a bawdy few minutes about a certain kitchen maid, Nell: “She’s, well, spherical, like a globe,” he describes, “I could find countries in her.” And then there is a description of where France and Spain and England might be. Sham and Shakespeare belong together.

Others of note include Billy Horn, Lauren Nicole Alaimo, Brittany Bassett, Shabar Rouse, Maria Caruso and, in a very smart choice, Channel 7 weatherman Mike Randall, as goldsmith Angelo; outdoor theater can always use a meteorologist-in-residence.

There’s some choreography by Terri Filips Vaughan. Set designer is Nathan Elsener.

Shakespeare buffs are fond of saying “Where there’s a Will, there’s a play.” Currently, that play is “The Comedy of Errors.” It’s a nice way to spend a summer night.

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